The Photograph Considered number twelve – Alex Gard
Lake Echo. 8x10 black glass ambrotype This probably isn’t a photographic love story. This is my second article for David Tatnall’s blogs and things have…
the photograph considered
The Photograph Considered number eleven – Kylie Foley
The Perfect Imperfections. 5 x 7 tintype I’m three years into my wet plate collodion adventure, and I’ve yet to find another technique which generates…
The Photograph Considered number ten – Anjella Roessler
Grief. Paper negative The portrait “Grief” was created in collaboration with an artist friend, Andrew Delaney, who deals in visceral and often quite dark subject…
The Photograph Considered number nine – Tony Egan
Black Mountain Tree. Silver gelatin print. This is a photograph of what I call the Black Mountain Tree. Anyone who has been to a workshop…
The Photograph Considered number eight – Peter Lee
The Saddle Shed. Inkjet print. This time last year I was invited to take photographs at a remote sheep grazing property on the Bell River…
The Photograph Considered number seven – Peter Kinchington
Treeferns in Mountain Ash Forest My favourite terrestrial habitat in Australia is the Wet Sclerophyll found in Victoria and Tasmania. Here you find the magnificent…
The Photograph Considered number six – Mark Darragh
Red Beech – Fiordland National Park, New Zealand. The expression, “The Art of Suffering” is often applied to mountaineering but I think an equally valid…
The Photograph Considered number five – David Tatnall
Forest at Crows Foot Track. Silver gelatin photograph There was a fierce debate raging when I made this photograph. The fate of the pristine old…
The Photograph Considered number four – David Roberts
Brother Luke. Silver gelatin photograph I was granted the privilege of staying at a Cistercian monastery for three weeks with the expressed intention of photographing…