The Photograph Considered number forty six – Mark Darragh
Coastal topographies 4 x 5 transparencies This series developed from a project I’ve been working on sporadically for over a decade, photographing regions of Victoria's…
the photograph considered
The Photograph Considered number forty five – Keira Hudson
Feast, 2021. 8x10 wet plate collodion tintype. I captured this tintype of Phoebe Nguyen at the beginning of the year. Phoebe had just graduated from…
The Photograph Considered number forty four – Wendy Currie
Hendersons Falls. Scan of 4 x 5 pinhole negative. Article written by Len Currie. This image was taken on a recent trip to Victoria’s Great…
The Photograph Considered number forty three – Gary Chapman
Paper bark. Tin Can Bay. 16 x 20 Vandyke Brown contact print My interest in Ultra Large Format photography has always been the landscape, when…
The Photograph Considered number forty two – Bianca Conwell
Old Man Banksia 2021. Gold toned salt print In recent years I have been inspired to study and practice historic and alternative photographic processes, and…
The Photograph Considered number forty one – Danny Tasmakis
The Gate at Pentridge. Silver gelatin print. Walking through former Pentridge Prison precinct on a warm summer’s day surrounded by bluestone laid in the mid 1800’s with…
The Photograph Considered number forty – Geoff Murray
Frozen tarn. Walls of Jerusalem National Park. Tasmania. Colour transparency. Like most photographers, I have moved through a variety of formats over the years. I…
The Photograph Considered number thirty nine – Lee Lira
Carriage Bolt - Ziatype I made this image using my DIY silver gelatin orthochromatic glass dry plate emulsion developed in HC-110. After saying that there…
The Photograph Considered number thirty eight – Murray White
The Minder. Silver gelatin photograph. Three years ago, almost to the day, my interest in landscape photography became a passion. I should perhaps clarify that…