The Photograph Considered number forty seven – Keith Mallett
Boulder Beach — Mimosa Rocks National Park, NSW. 1996. Transparency scan. This image, Boulder Beach, was made at Mimosa Rocks National Park on the NSW south coast on…
the photograph considered
The Photograph Considered number forty six – Mark Darragh
Coastal topographies 4 x 5 transparencies This series developed from a project I’ve been working on sporadically for over a decade, photographing regions of Victoria's…
The Photograph Considered number forty five – Keira Hudson
Feast, 2021. 8x10 wet plate collodion tintype. I captured this tintype of Phoebe Nguyen at the beginning of the year. Phoebe had just graduated from…
The Photograph Considered number forty four – Wendy Currie
Hendersons Falls. Scan of 4 x 5 pinhole negative. Article written by Len Currie. This image was taken on a recent trip to Victoria’s Great…
The Photograph Considered number forty three – Gary Chapman
Paper bark. Tin Can Bay. 16 x 20 Vandyke Brown contact print My interest in Ultra Large Format photography has always been the landscape, when…
The Photograph Considered number forty two – Bianca Conwell
Old Man Banksia 2021. Gold toned salt print In recent years I have been inspired to study and practice historic and alternative photographic processes, and…
The Photograph Considered number forty one – Danny Tasmakis
The Gate at Pentridge. Silver gelatin print. Walking through former Pentridge Prison precinct on a warm summer’s day surrounded by bluestone laid in the mid 1800’s with…
The Photograph Considered number forty – Geoff Murray
Frozen tarn. Walls of Jerusalem National Park. Tasmania. Colour transparency. Like most photographers, I have moved through a variety of formats over the years. I…
The Photograph Considered number thirty nine – Lee Lira
Carriage Bolt - Ziatype I made this image using my DIY silver gelatin orthochromatic glass dry plate emulsion developed in HC-110. After saying that there…