View Camera Australia: Online exhibition June 2022
Main photograph above: Farm Land, Macedon. 4 x 5 infrared. By Danny Tasmakis. In View Camera Australia's fourth online exhibition we showcase the recent work…
4×5
Folio: Robert Poole
Australia: a pom’s eye view I’m a ‘retired’ University Professor living in Yorkshire, UK. However, as a result of long periods of research at ANU…
Folio: Anjella Roessler
Anjella Roessler is a Geelong photographic artist. She has an MA in photography and is currently working on her PhD. Her photographic practice explores the intersection…
Greg Wayn – Landscapes
Many of the paintings, drawings and photographs we see in the genre of ‘Landscape’ are concerned with notions of classical beauty, light and atmosphere. In…
View Camera Australia: Online exhibition March 2022
Main photograph above: Bianca Conwell. Gills. 2022. 20 x 25cm salt print from 8 x 10 silver gelatin dry plate negative. In View Camera Australia's…
Folio: Murray White
Relationship in Landscape Relationship consistently emerges as a theme across many photographic genres. Photojournalists capture images that define relationships, often with more clarity than the…
Why not eco-photography? by Gary Sauer-Thompson
A fascinating and informative interview with David Tatnall by Michéla Griffith in issue 245 of the British based On Landscape magazine about the process of photographing nature…
Greg Wayn – Industrials
I have long been drawn to industrial sites. Even as a young boy living in country towns, there was always a fascination with railway yards,…
Folio: Zo Damage
Large format photography provides endless opportunities for exploration, imagination, and the freedom of self-expression. The simplicity of the technology (not to be mistaken with the…