The Photograph Considered number fifty – James Niven
I was familiar with this area having seen images on the Internet. I was inspired by the images of Phillip Island's natural beauty and wild…
4×5
Reflective nostalgia, the network image, processing colour sheet film – Gary Sauer-Thompson
"It’s not just the meaning of the image that has changed – the act of looking does not have the same meaning. Now, it’s about…
Darkroom – Ilona Schneider
My passion for the darkroom started in my apprenticeship as a photographer in aphoto studio in Salzburg, Austria, in the early 80’s. It was an elegant portrait…
Two Time the View – Murray White
In recent years, Roy, a fellow photographer who lives nearby makes a regular day trip with me to the Surf Coast, a little over an…
Darkroom – Bianca Conwell
The first darkroom I had was when I was at University in the mid 1990’s in a storage room at my family home. The little…
Workshop: Introduction to Analogue Photography with Ilona Schneider
In a world where we can create images with our mobile phones and digital techniques giving us infinite possibilities, there is no reason to limit…
The Inland Sea – Murray White
Even before I owned a camera I had been attracted to rivers. As a teenager I would find any opportunity to launch my homemade kayak,…
Stearman Press launch six sheet 4×5 processing system
US company Stearman Press has launched a six sheet version of their 4x5 processing tank the SP-445. We reviewed the original version in June 2017,…
The Photograph Considered number forty nine – Mark Darragh
Pencil Pine branchlet in ice, Walls of Jerusalem National Park. 60.9 x 76.2 cm inkjet print from 4x5 transparency. Like many large format photographers, I…