Photographers Profiled

October 11, 2018

The Photograph Considered number thirteen – Anna Fairbank

Governor's Island. Silver gelatin print I work across architecture, art and environment, combining design, photography and sculpture. Photography has been a focus since childhood: recording…

September 18, 2018

The Photograph Considered number twelve – Alex Gard

Lake Echo. 8x10 black glass ambrotype This probably isn’t a photographic love story. This is my second article for David Tatnall’s blogs and things have…

September 9, 2018

The Photograph Considered number eleven – Kylie Foley

The Perfect Imperfections. 5 x 7 tintype I’m three years into my wet plate collodion adventure, and I’ve yet to find another technique which generates…

August 27, 2018

The Photograph Considered number ten – Anjella Roessler

Grief. Paper negative The portrait “Grief” was created in collaboration with an artist friend, Andrew Delaney, who deals in visceral and often quite dark subject…

August 23, 2018

The Photograph Considered number nine – Tony Egan

Black Mountain Tree. Silver gelatin print. This is a photograph of what I call the Black Mountain Tree. Anyone who has been to a workshop…

August 16, 2018

The Photograph Considered number eight – Peter Lee

The Saddle Shed. Inkjet print. This time last year I was invited to take photographs at a remote sheep grazing property on the Bell River…

August 10, 2018

The Photograph Considered number seven – Peter Kinchington

Treeferns in Mountain Ash Forest My favourite terrestrial habitat in Australia is the Wet Sclerophyll found in Victoria and Tasmania. Here you find the magnificent…

August 1, 2018

The Photograph Considered number six – Mark Darragh

Red Beech – Fiordland National Park, New Zealand. The expression, “The Art of Suffering” is often applied to mountaineering but I think an equally valid…

July 23, 2018

The Photograph Considered number five – David Tatnall

Forest at Crows Foot Track. Silver gelatin photograph There was a fierce debate raging when I made this photograph. The fate of the pristine old…

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