'Fertile Ground brings together nine artists who use food as an…
‘Crowd Theory (2004–2018) is an ongoing series of photographic and performance-based events, where artist Simon Terrill engages with urban groups, inviting people to imagine their own idea of place. The first iteration of the work took place at Footscray Community Art Centre in 2004 and the most recent event was staged in Thamesmead, London. For each project, an invitation is made to anyone and everyone with an association to each site to come together for a single, yet collective photographic portrait. Participants are specified the time of the event—but choose how to represent themselves—creating socially charged spaces that reveal tensions between public and private identities, and complex politics surrounding urban habitation.
Each Crowd Theory work involves extensive collaboration, through the mobilisation of up to 300 people, as well as the coordination of lighting, soundtracks, smoke machines, catering and marshalling, creating a theatre-like atmosphere.
For the exhibition at CCP, Terrill will show the full suite of ten mural-sized photographs together for the first time, alongside a new sculptural work, a catalogue publication and a series of associated public programs and events.’
Centre for Contemporary Photography, Fitzroy until 31 March 2019
Simon Terrill is an Australian artist based in London. Working with photography, sculpture, installation, drawing and video, his work investigates relations between architectural spaces and their received narratives, public and private identities, and the idea of the crowd as a tool to examine architecture, identity, community and a performance of self. His ongoing Crowd Theory project consists of large-scale stage-managed public events resulting in exhibitions at the sites of their creation along with collaborations with museums and public galleries to extend these images and stories outwards.
Following a BA in Sculpture and MA in Fine Art at the Victorian College of the Arts in Melbourne, he lectured in Critical and Theoretical Studies (2005-08) and at the Centre for Ideas (2003-08), both at the VCA. In 2008 Terrill was awarded the Samstag International Visual Arts Scholarship that enabled him to spend a year at the Slade School of Art. He has been commissioned by Acme Studios, Samstag Museum of Art, National Trust Ernő Goldfinger Museum (2 Willow Road) amongst others, along with grants from Australia Council (2009, 2002, 1998) and Arts Council England (2010, 2014). Most recent works have been at the National Portrait Gallery London, Crowd Theory: South of the River 2016, Parallel (of Life and) Architecture, The Edge, Bath 2017 and The Brutalist Playground, a collaboration with Assemble, commissioned by the RIBA and touring internationally. He is currently working on a survey show of the Crowd Theory project, beginning at the Centre for Contemporary Photography (Melbourne 2019) before touring, and is currently a Somerset House Studios Resident.
Main photograph: Simon Terrill – Crowd Theory Adelaide. 160 x 202 cm chromogenic print. 2013