The Photograph Considered number forty two – Bianca Conwell
Old Man Banksia 2021. Gold toned salt print In recent years I have been inspired to study and practice historic and alternative photographic processes, and…
the photograph considered
The Photograph Considered number forty one – Danny Tasmakis
The Gate at Pentridge. Silver gelatin print. Walking through former Pentridge Prison precinct on a warm summer’s day surrounded by bluestone laid in the mid 1800’s with…
The Photograph Considered number forty – Geoff Murray
Frozen tarn. Walls of Jerusalem National Park. Tasmania. Colour transparency. Like most photographers, I have moved through a variety of formats over the years. I…
The Photograph Considered number thirty nine – Lee Lira
Carriage Bolt - Ziatype I made this image using my DIY silver gelatin orthochromatic glass dry plate emulsion developed in HC-110. After saying that there…
The Photograph Considered number thirty eight – Murray White
The Minder. Silver gelatin photograph. Three years ago, almost to the day, my interest in landscape photography became a passion. I should perhaps clarify that…
The Photograph Considered number thirty seven – Glenn Guy
I started my life in photography, just after my 17th birthday, working full time in a busy camera store in my hometown, Hamilton in Western…
The Photograph Considered number thirty six – Jong Lee
Aries Tor. Snowy Mountains, Mt Kosciuszko National Park NSW Australia. This image was shot in February 2020 prior to the COVID-19 isolation. It took almost…
The Photograph Considered number thirty five – Greg Wayn
Bolte Bridge 1998. This image of the Bolte Bridge under construction was made in 1998 and eventually formed part of an exhibition called VERTIGO, at theLab…
The Photograph Considered number thirty four – Ellie Young
Dandelion orotone photograph. This photograph is an orotone. This is an amazing process where this carbon transfer is on the face of the glass and…