The Photograph Considered number fifty – James Niven
I was familiar with this area having seen images on the Internet. I was inspired by the images of Phillip Island's natural beauty and wild…
the photograph considered
The Photograph Considered number forty nine – Mark Darragh
Pencil Pine branchlet in ice, Walls of Jerusalem National Park. 60.9 x 76.2 cm inkjet print from 4x5 transparency. Like many large format photographers, I…
The Photograph Considered number forty eight – Michael Polychronopoulos
Central Brooks Range, northern Alaska. 2004. 4x5 transparency I have always been drawn to the erratic lines of wild mountains and natural landscapes, even from…
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View Camera Australia is seeking photographers who want their work featured to get in touch. There are three main avenues of having your work featured:…
The Photograph Considered number forty seven – Keith Mallett
Boulder Beach — Mimosa Rocks National Park, NSW. 1996. Transparency scan. This image, Boulder Beach, was made at Mimosa Rocks National Park on the NSW south coast on…
The Photograph Considered number forty six – Mark Darragh
Coastal topographies 4 x 5 transparencies This series developed from a project I’ve been working on sporadically for over a decade, photographing regions of Victoria's…
The Photograph Considered number forty five – Keira Hudson
Feast, 2021. 8x10 wet plate collodion tintype. I captured this tintype of Phoebe Nguyen at the beginning of the year. Phoebe had just graduated from…
The Photograph Considered number forty four – Wendy Currie
Hendersons Falls. Scan of 4 x 5 pinhole negative. Article written by Len Currie. This image was taken on a recent trip to Victoria’s Great…
The Photograph Considered number forty three – Gary Chapman
Paper bark. Tin Can Bay. 16 x 20 Vandyke Brown contact print My interest in Ultra Large Format photography has always been the landscape, when…