View Camera Australia: Online exhibition March 2022
Main photograph above: Bianca Conwell. Gills. 2022. 20 x 25cm salt print from 8 x 10 silver gelatin dry plate negative. In View Camera Australia's…
4×5
Folio: Murray White
Relationship in Landscape Relationship consistently emerges as a theme across many photographic genres. Photojournalists capture images that define relationships, often with more clarity than the…
Why not eco-photography? by Gary Sauer-Thompson
A fascinating and informative interview with David Tatnall by Michéla Griffith in issue 245 of the British based On Landscape magazine about the process of photographing nature…
Greg Wayn – Industrials
I have long been drawn to industrial sites. Even as a young boy living in country towns, there was always a fascination with railway yards,…
Folio: Zo Damage
Large format photography provides endless opportunities for exploration, imagination, and the freedom of self-expression. The simplicity of the technology (not to be mistaken with the…
Greg Wayn – Abstracts
I have a long fascination with turning mundane objects or detritus into something of a more concentrated and abstract photographic form. There is a long…
Folio: Matt Weddis
Along The Way I take my 4x5 camera with me on hikes and walks. This led to my ongoing series Along the Way, a collection…
View Camera Australia back for 2022
View Camera Australia is back for 2022 with new articles on photography and photographic processes, news about exhibitions and workshops and reviews of cameras and…
Folio: Greg Wayn
The last time I processed large format negatives in my darkroom was 1998, such a long time ago. While I have a great deal of…