Exhibition: The Basement – Photography from Prahran College 1968 -1981

Exhibition: The Basement – Photography from Prahran College 1968 -1981

In May 1968 the newly formed photography department of Prahran Technical School (known as Prahran College of Advanced Education (PCAE) from 1973) moved into the basement of a freshly completed art and design building on the corner of High Street and Thomas Street in Melbourne’s inner southeastern suburb of Prahran. Here, for the first time in Australia, photography was taught as an artform.

Featuring the work of approximately 60 artists, The basement brings to light rare vintage prints from the 1960s through to the early 1980s, key archival ephemera and folio work – from students and teachers of the College’s Diploma of Art & Design (Photography). It was a period where new discussions developed quickly around the possibilities of what photography could be. These students and teachers were part of a progressive, edgy wave of image-makers excited about the medium’s potential.

Under the vanguard of influential photographers such as John Cato, Paul Cox and Athol Shmith, the school became a breeding ground for some of this country’s most important art photographers: Carol Jerrems, Bill Henson, Nanette Carter, Rod McNicol, Polly Borland, Peter Milne, Robert Ashton, Philip Quirk, Peter Leiss, Jacqueline Mitelman, Mimmo Cozzolino, Graham Howe and Julie Millowick, among many others.

The exhibition’s accompanying publication elucidates the experience from several perspectives. As we hear from the curators, students, colleagues and academics, it’s clear that this course, in this time, was of great consequence to our photographic ecosystem and its development.

Curated by Angela Connor, MAPh Senior Curator, and Stella Loftus-Hills, MAPh Curator, The basement gathers works from close to 60 artists, traversing over 13 years of image-making and adjacent subcultures in music, protest, fashion and art criticism. This landmark exhibition will deliver new research into the canon of Australia’s cultural history through its assembled works and attendant publication.

Exhibiting artists:

Colin Abbott, Robert Ashton, Con Aslanis, Polly Borland, Peter Bowes, John Brash, Peter Burgess, Nanette Carter, John Cato, Andrew Chapman, Lyn Cheong, Jon Conte, Kim Corbel, Paul Cox, Mimmo Cozzolino, Christina de Water, Duncan Frost, Rob Gale, Sandra Graham, Bill Henson, Julie Higginbotham, Graham Howe, Carol Jerrems, Moira Joseph, Peter Kelly, Christopher Köller, Johann Krix, Paul Lambeth, Derrick Lee, Peter Leiss, Carolyn Lewens, Steven Lojewski, Ian Macrae, James McArdle, Jim McFarlane, Rod McNicol, Julie Millowick, Peter Milne, Jacqueline Mitelman, Richard Muggleton, Martin Munz, Nicholas Nedelkopoulos, Greg Neville, Glen O’Malley, Viki Petherbridge, Ross Powell, Philip Quirk, Leonie Reisberg, Susan Russell, Stella Sallman, Athol Shmith, Geoff Strong, Ian Tippett, George Volakos, Stephen Wickham, Andrew Wittner, Ken Wright, Lynette Zeeng’. MAPh website.

Photograph above. Philip Quirk: Suzanne Budds 1973.

Museum of Australian Photography. Wheelers Hill. 1 March – 25 May 2025

Graham Howe: Protester, moratorium to end the American war in Vietnam. 1970.

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This article was written by

David Tatnall is an Australian fine art photographer & editor of View Camera Australia.

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