Darkroom – Shane Booth
My darkroom, not so negative. Prior to writing this article I decided to familiarise myself with preceding darkroom profiles and as a result, l have…
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Finding Structural Form in the Bush Landscape – Greg Wayn
The death of my dear friend Ian Lobb is still having a great deal of affect on me despite the number of weeks passing. I…
South West Tasmania – Mark Darragh
You feel a change as you enter South West Tasmania. Driving west from the pastoral valleys of the Huon or Derwent Rivers, the landscape quickly…
View Camera Australia online exhibition March 2024
View Camera Australia is proud to present the eleventh online exhibition featuring the work of: Ryan Dandelion, Murray White, Janet Naismith, Keira Hudson, Gary Chapman,…
Darkroom – Alex Bond
Perth photographer Alex Bond talks about his darkroom. My current darkroom I have had for nearly 20 years. It is a fairly simple affair, I…
The Future of Colour Sheet Film: A Personal Perspective – Mark Darragh
Gary Sauer-Thompson in his recent article has eloquently covered some of the philosophical considerations and broader challenges relating to the future of colour sheet film…
The Photograph Considered number fifty – James Niven
I was familiar with this area having seen images on the Internet. I was inspired by the images of Phillip Island's natural beauty and wild…
Reflective nostalgia, the network image, processing colour sheet film – Gary Sauer-Thompson
"It’s not just the meaning of the image that has changed – the act of looking does not have the same meaning. Now, it’s about…
Darkroom – Ilona Schneider
My passion for the darkroom started in my apprenticeship as a photographer in aphoto studio in Salzburg, Austria, in the early 80’s. It was an elegant portrait…