Iron Awe by Murray White
My first trip into Karijini National Park was made in 1985 in a 15 year old dust ridden Holden sedan, but carrying a near new…
4×5 camera
Call out for articles for View Camera Australia in 2023
View Camera Australia has been online since 2017 and despite there being only around 200 people in Australia who use large format cameras the readership of…
Large format photography workshop with Alex Bond
‘Are you curious about the advantages of using a large-format view camera? Perhaps you are wondering what’s involved. This introductory large format 4×5 workshop offers…
View Camera Australia: Online exhibition September 2022
View Camera Australia's fifth online exhibition features the work of: Stuart Clook, Megan Ferguson, Janet Naismith, Ray Goulter, Keith Mallett, Daisy Noyes, Charles Millen, Andy…
Folio: Robert Poole
Australia: a pom’s eye view I’m a ‘retired’ University Professor living in Yorkshire, UK. However, as a result of long periods of research at ANU…
The Photograph Considered number forty eight – Michael Polychronopoulos
Central Brooks Range, northern Alaska. 2004. 4x5 transparency I have always been drawn to the erratic lines of wild mountains and natural landscapes, even from…
Greg Wayn – Landscapes
Many of the paintings, drawings and photographs we see in the genre of ‘Landscape’ are concerned with notions of classical beauty, light and atmosphere. In…
View Camera Australia: Online exhibition March 2022
Main photograph above: Bianca Conwell. Gills. 2022. 20 x 25cm salt print from 8 x 10 silver gelatin dry plate negative. In View Camera Australia's…
Folio: Murray White
Relationship in Landscape Relationship consistently emerges as a theme across many photographic genres. Photojournalists capture images that define relationships, often with more clarity than the…