South West Tasmania – Mark Darragh
You feel a change as you enter South West Tasmania. Driving west from the pastoral valleys of the Huon or Derwent Rivers, the landscape quickly…
Articles Written By: Mark Darragh
This author has written 10 articles
The Future of Colour Sheet Film: A Personal Perspective – Mark Darragh
Gary Sauer-Thompson in his recent article has eloquently covered some of the philosophical considerations and broader challenges relating to the future of colour sheet film…
The Photograph Considered number forty nine – Mark Darragh
Pencil Pine branchlet in ice, Walls of Jerusalem National Park. 60.9 x 76.2 cm inkjet print from 4x5 transparency. Like many large format photographers, I…
Exhibition: Relicts – Mark Darragh
Relicts explores the past, present, and future of Australia’s temperate and alpine flora. Many of the species and plant communities photographed can be described as…
Folio: Mark Darragh
Abstract Realities Writing about abstraction is perhaps curious for a nature and wildness photographer. In some respects, abstraction seems to run counter to the ethos…
The Photograph Considered number forty six – Mark Darragh
Coastal topographies 4 x 5 transparencies This series developed from a project I’ve been working on sporadically for over a decade, photographing regions of Victoria's…
Review of Kodak Ektachrome E100 4×5 sheet film by Mark Darragh
Background Kodak describes Ektachrome E100 as “a daylight-balanced color positive film, featuring clean, vibrant colors, a neutral tone scale, and extremely fine grain. Its distinctive…
Exhibition: Relicts – exploring the flora of Gondwana by Mark Darragh
Melbourne based large format photographer Mark Darragh presents a solo exhibition of landscape photography. Relicts is a photographic journey through time and space. The exhibition…
The Photograph Considered number six – Mark Darragh
Red Beech – Fiordland National Park, New Zealand. The expression, “The Art of Suffering” is often applied to mountaineering but I think an equally valid…