Online exhibition February 2025

February 17, 2025

Photographers Profiled

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Online exhibition February 2025

View Camera Australia is continuing the Online Exhibition series by inviting Anjella Roessler, Charles Millen, Keira Hudson, Greg Wayn, Kate Baker & Murray White to show their large format camera work.

Photograph above: Anjella Roessler – Glenormiston Station. 4×5 pinhole paper negative.

Anjella Roessler

Goddess. 4×5 paper negative.

Portrait of the Artist. 8×10 x-ray film.

Seidr. 4×5 dye diffusion print (Fujifilm Instax)

Anjella Roessler: Website. Instagram.

Charles Millen

Pannawonica Hill at Dawn. 4×5 transparency scan.

Sunset, Pilbara. 4×5 transparency scan.

Stone Detail III. 4×5 transparency scan.

Charles Millen: Website. Instagram.

Keira Hudson

Tape Measures. From the series Wrapped. 12.5 x 10cm tintype.

Vines. From the series Wrapped. 12.5 x 10cm tintype.

Pearls. From the series Wrapped. 12.5 x 10cm tintype.

Keira Hudson: Website. Instagram.

Greg Wayn

Still life. Silver gelatin contact print from 4×5 negative.

Sill life. Silver gelatin contact print from 4×5 negative.

Still life. Silver gelatin contact print from 4×5 negative.

Greg Wayn: Website. Instagram.

Kate Baker

Dignity. 50 x 40 cm silver gelatin print from 4×5 negative.

Ian, potato grower. 20 x 25 cm silver gelatin print from 4×5 negative.

Raphaela Ascension. 25 x 20 cm silver gelatin print from 4×5 negative.

Kate Baker: Website. Instagram.

Murray White

GRAVITATE 20 x 25 cm silver gelatin print from 4 x 5 negative.
I made this photograph at Karlu Karlu (Devils Marbles CP) either one or two days after a full moon. I set up in the early hours of the morning to catch the catch the now setting moon as the sun’s rays began to appear. The proportions of this particular rock ideally suited the aspect ratio of my view camera, and I closed in on its time worn surface to imply something of the proportional value of each entity.

THE PEACOCK 20 x 25 cm silver gelatin print from 4 x 5 negative.
This photograph was taken during a 2024 gathering of large format photographers in Warburton. This tree fern was located on a hill and needed full rise on the front standard, and to avoid vignetting the image with a 270mm Nikon lens (the longest in my kit), a little back tilt. My view camera doesn’t have rear movements and playing with the enlarger easel isn’t on my radar, so some converging of the verticals was inevitable.

FOREST TSUNAMI 25 x 20 cm silver gelatin print from 4 x 5 negative.
This photograph was taken on a trip to Cape York in the winter of 2024 at a place called Chili Beach. It is a lovely camp but the nearby beach is notorious for its south easterly onshore winds. Fortunately the rainforest just inland is well protected and I found some nice subjects including this Yellow Carabeen. The day had partial cloud, but the rainforest canopy also helped to further diffuse the lighting.

Murray White: Website.

Post Tagged: 4x5, 4x5 pinhole camera, 4x5 transparencies, 8x10, 8x10 camera, anjella roessler, charles millen, contact prints, greg wayn, keira hudson, murray white, online exhibition, paper negative, silver gelatin print, tintype, xray film

Next Post: Exhibition: Changing Light – Tim Faircloth

This article was written by

http://www.davidtatnall.com

David Tatnall is an Australian fine art photographer & editor of View Camera Australia.

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